Birmingham Cathedral, a jewel of English Baroque architecture, is poised to offer an exhilarating new attraction this summer. Starting May 24 and continuing through September 21, the historic grounds will host the Cathedral Square Wheel, a collaboration between Birmingham Cathedral and Danter Attractions. This venture promises to provide visitors with a unique aerial view of Birmingham’s skyline and an immersive soundscape that encourages exploration of the cathedral’s rich history and artistic treasures.
Originally consecrated as the parish church of St Philip’s in 1715, Birmingham Cathedral is the third smallest cathedral in the UK. It stands as a testament to the town’s rapid growth from a population of 6,000 in 1660 to 15,000 by the early 1700s. The elegant Baroque architecture, with its dome, volutes, and rusticated stonework, reflects the grandeur of its era. Notably, in 1725, donations from King George I facilitated the construction of the tower, adorned with a gilded cross and weathervane featuring the Gough family crest.
The cathedral is also renowned for its four stained-glass windows created by Birmingham-born Pre-Raphaelite artist Sir Edward Burne-Jones. These windows, depicting significant events from the life of Christ, are among the finest in the world and have been meticulously conserved to ensure their beauty endures for future generations.
The Cathedral Square Wheel, standing 35 meters high, offers a panoramic view of Birmingham, equivalent in height to the iconic Selfridges Birmingham building. Each of the 24 fully enclosed pods can accommodate up to six people, making it a family-friendly attraction. The ride features commentary by historian Carl Chinn, who narrates the story and culture of Birmingham, culminating in an invitation to visit the cathedral itself.
Anna Pitt, CEO at Birmingham Cathedral, expressed her enthusiasm: “We are constantly striving to offer new and exciting experiences to our visitors. The Cathedral Square Wheel will provide a unique perspective on Birmingham’s skyline and encourage everyone, especially first-time visitors, to step into the cathedral and see our stunning windows at their best following recent conservation work.”
The introduction of the big wheel raises an important question about the role of public events at heritage sites. On one hand, such attractions can significantly increase footfall, raising awareness and appreciation for historic landmarks. They provide an opportunity for a broader audience to engage with heritage sites, potentially creating a deeper connection to the local history and culture. The revenue generated from these events can also support ongoing preservation efforts.
However, there are concerns about the potential impact on the integrity and atmosphere of these sites. The commercial nature of such attractions might overshadow the historical and spiritual significance of the location. Moreover, the physical strain of increased foot traffic and modern installations could pose risks to the preservation of delicate structures and artifacts.
In the case of Birmingham Cathedral, the partnership with Danter Attractions aims to strike a balance between celebration and conservation. By inviting visitors to explore the cathedral’s interior after experiencing the wheel, the initiative seeks to enhance public engagement with the site’s historical and artistic heritage. The wheel’s commentary by Carl Chinn ensures that the historical narrative is woven into the modern experience, making the visit both entertaining and educational.
Ultimately, whether such ventures are beneficial depends on careful management and a clear focus on preserving the core values and physical integrity of heritage sites. When executed thoughtfully, these events can breathe new life into historic locations, making them vibrant, relevant, and accessible to contemporary audiences.
The Cathedral Square Wheel at Birmingham Cathedral exemplifies a modern approach to heritage site engagement, blending historical reverence with contemporary appeal. As visitors soar above the city, they are not only treated to spectacular views but also invited to delve into the rich tapestry of Birmingham’s past. This initiative highlights the potential for heritage sites to evolve and remain vital parts of the community, providing that preservation remains at the forefront of such endeavours. As we look to the future, the question remains: Should heritage sites embrace such public events to attract more visitors, or should they be preserved in a more traditional, undisturbed manner? The answer may lie in finding a harmonious balance that respects and celebrates our shared history while welcoming new generations to discover its wonders.
